Poetry in Detroit

by

Fifth Estate # 107, June 11-24, 1970

Poetry in Detroit, page 24 (back cover), Issue 107. Text rendered on web page.

Untitled by Ken Mikolowski

[Original printed as spiral]

Is there poetry in Detroit?

There IS Poetry in Detroit!

MICK VRANICH “SALAD” magazine

BOOKWORLD.

Wednesday afternoon readings Miles Modern poetry room 5157 Cass 4 pm FREE

STEVE TUDOR (cider & donuts come as you are)

Dudley Randall and the BROADSIDE PRESS 12651 Old Mill Place.

Is JOHN SINCLAIR in Marquette poetry in Detroit?

Right On!

Poetry in Detroit is ARCHIE ANDERSON & BOB ANDREWS and their magazine “ACTUAL SIZE” Common Ground of the Arts.

FAYE KICKNOSWAY & JON SCHWARTZ and the new Miles Poetry Anthology.

BOB SERLING & DAVE FRASER and one incredible issue of “PLO-JECT.”

DICK SWEENEY & god bless MRS. SMITH.

HANK MALONE WXYZ-FM.

Poetry in Detroit is WALT HALL in Oregon, DON McCAIG & ANDREI CODRESCU in New York, GEORGE TYSH in Paris, JIM GUSTAFSON wandering in Europe,

someone in your own backyard or in Brazil.
KAREN KNORP “OLD SECOND” WSU English Dept.

ESTHER BRONER, DAN HUGHES, SHELDON TANNENBAUM & HARRY STRICKHAUSEN of course.

These names are praise—don’t skip even one.

ROBIN EICHELE, BRADLEY JONES DONNA BROOK JOEL DRESSLER (anonymous) DAN BELLINGER ARTHUR LICHTENSTEIN JIM SEMABILL DOKIANOS TOM FITZSIMMONS & the festival of life.

JUDITH GOREN DOUGHTRY LONG DAVE HERRESHOFF JUDY McCOMBS BENJAMIN ALVIN’S FINER DELI PAM SHRIMAN DENNIS MOORE MATTHBLACK’S “OYSTER” CLAUDE JACKSON.

a few of your friends & a bottle of RIPPLE.

LARRY PIKE MARY JO OLESZEK A. QUINN SMITH HENRIETTA EPSTEIN JIM KRPPS.

JAP’s at THE WALL with the mad manifestos & other non-negotiable demamds.

FREE broadsides every month from THE ALTERNATIVE PRESS.

insane articles in the “FIFTH ESTATE” that try to put the Detroit Seen on paper.

your MOTHER writes Poetry in Detroit

POETRY IN DETROIT IS DETROIT

POETRY IS

FOLLOW/up

ALp stop moist de/cay in the upper mouth

area soft teeth eat slower steak hand meat

in the wet space called wet spaced

HAND:under stood replay making success

with without in doors again call for

broiler control by the WLP-6 theo-

meter controler box put installed

the man in the blue suit gas meter screw

driver:lack of glucose distilled

blood red/white corpusals retain

water non sugar ingredients compose

the bulk meat body walks for 1 mile

stops & waits for de/LIVER to RE/gain

bile climate:context:”16 context “17

Context “(18-37) omitt details

redline all else re/READ red

in order non CONTEXT total structure

for form texture:continue of street

white ankle suck yellOW stain 2 night

IN/side as usual@’:REPLAY 2

BE GIN ( ) begin at front gate

g//////////////ATE/gate of HERE:

—Michael Vranich

To Marvin Bell

Perhaps if I said, I don’t like Iowa, it would

interest you. No one gets born there because of the freeway.

It isn’t so in Nebraska, except it’s like riding a yoyo string

in and out of Mother. In Iowa, all you see

is her pubic hair but you have to twist your head up

to see it above the embankment. And when you eat

at a truck stop, you can’t be sure what

you’re eating.

—Faye Kicknosway

[untitled]

three

(after Diane di Prima & Doug Featherling)

i can imagine you riding a horse so

fast, trying to lose what living in a city

has given you but,

.

when you get back at night, don’t

give me that look unless

you have an uncut diamond under your tongue

& want me to find it.

—David Fraser

[untitled]

language

i will remember you by yr eyes

while my tongue moves deep within yr mouth

across yr teeth

& hard against yr tongue like a language

a language

spoken in a voice that is the sleep of whores

the words forgotten after the act

betrayed like a pile of flesh

lying in the corner of some room

some humid room

or like our clothes small animals of this line

lying in piles while we fuck

language sanctioned and

functional as functional as

the hot wet flesh of a shoulder wound

that accepts the bullet

the way my mouth accepts yr breast

language sanctioned

by my open mouth resting against yr hand

my breath

committed to the hand like flame

and the stain of yr blood

committed to the bedsheet like a burning city

—Robert Serling