If Luis Bunuel had not directed “Belle de Jour,” it probably would have turned out to be nothing more than a case history from the pages of Krafft-Ebbing. On the very surface it merely tells the story of how a …
If Luis Bunuel had not directed “Belle de Jour,” it probably would have turned out to be nothing more than a case history from the pages of Krafft-Ebbing. On the very surface it merely tells the story of how a …
To be a teenager in western Europe today is to enjoy a freedom of movement only dreamed about by American young people. During the summer, while most American kids are sitting home watching reruns on T.V., their European counterparts are …
Between now and October 9th the J.L. Hudson Gallery is offering the public a legal trip via the work of Michelangelo Pistoletto.
To get some idea of what “Poor Cow” is like, one need only imagine what “Elvira Madigan” would have been like if it had been filmed in the slums of London.
Richard Lester’s new film, “Petulia,” is a contradiction in terms—it is at one and the same time old-fashioned, avant-garde, sophisticated, heavy-handed, and pointless.
a review of “Rosemary’s Baby” directed by Roman Polanski It’s not everyday that one comes across a novel in which Satan rapes a New York housewife and forces her to bear him an heir. In fact, two and a half …