Joseph Strick’s film adaptation of Ulysses is rather like a high-minded comic-strip version of Stephen Hero …
FE Author: Shirley Hamburg
The Cinephile
by Shirley Hamburg
Fifth Estate # 28, April 15-30, 1967
A Man For All Seasons may not be a play for all seasons, but it certainly …
The Cinephile
by Shirley Hamburg
Fifth Estate # 25, March 1-15, 1967
Michelangelo Antonioni’s BLOWUP, to paraphrase Archibald MacLeish, is a film that means more than it is. …
The Cinephile
by Shirley Hamburg
Fifth Estate # 24, February 15-28, 1967
Having surveyed the recent New American Cinema products, one might easily be tempted to remain silent …
Film
by Shirley Hamburg
Fifth Estate # 23, February 1-15, 1967
James Dickey, in his delightful book of essays The Suspect in Poetry, distinguishes four main ways …
Film
by Shirley Hamburg
Fifth Estate # 22, January 15-30, 1967
On opening night of the Fourth Annual New York Film Festival, back in September, there appeared …
A Note on Current Film Criticism
by Shirley Hamburg
Fifth Estate # 21, January 1-15, 1967
The chief spokesman for the “independent or underground film-makers” in this country is Jonas Mekas.
The Cinephile
by Shirley Hamburg
Fifth Estate # 31, June 1-15, 1967
Film Editing “We’ll save it in the editing.” Though true of James Cruze, Griffith, Stroheim, …
The Cinephile
by Shirley Hamburg
Fifth Estate # 30, May 15-31, 1967
In adapting a bulky, densely detailed novel of seven volumes, Mai Zetterling has extricated the following …